Sonus Faber

Sonus Faber build loudspeakers the way the Cremonese builders, three valleys to the north, once built violins. In the Vicenza factory, hand-finished cabinets in walnut, maple and high-gloss lacquer are pressed against leather-clad baffles by a team that, in many cases, has spent careers learning a single curve. The lute silhouette, with its tapering cabinet and softly rounded edges, is not a stylistic flourish. It is the shape an acoustician would arrive at independently if asked to reduce standing waves inside a sealed wooden box.

The Lumina range — Lumina I, II and III — is the entry to the catalogue, and where many of our clients first encounter the brand. The Lumina I in particular is a small stand-mount that, in a careful room with capable electronics in front of it, plays beyond its dimensions.

The Sonetto range — Sonetto I G2 through to the V G2 — is the mid-tier, and the line at which the full Sonus Faber tonal character begins to assert itself: warm, unforced, a particular gentleness in the upper midrange that flatters voices.

The Olympica Nova family — Nova I, II, III and V — sits at the modern reference end. The Nova V floorstander, in walnut, is the speaker we most often place in front of clients ready to make a long commitment. It is a speaker designed to be lived with for twenty years.

There are loudspeakers that play music. Sonus Faber speakers, instead, play *the room around the music*.